PUBLICATIONS

"The system learns to recognise you: Amnesty calls out automated apartheid", +972 Magazine, May 2023.

"What a cat in a keffiyeh reveals about AI's anti-Palestinian bias", +972 Magazine, April 2023.

"The occupation enters the Metaverse", +972 Magazine, February 2022.

"Money-Go-Round," Real Life Magazine, January 2022.

"Post-genius memes: copyright, consent, distributed authorship and NFTs" Clot Magazine, November 2021.

"Strange temporalities: elsewhereness, post-traumatic stress & digital flowers," in Care(Less), edited by Gemma Blackshaw and Sharon Kivland. London: MA Bibliothéque, 2021.

My doctoral research 'Digital Aftercares' developed digital retooling as an artistic methodology that ties together socially engaged practice, speculative design, and the arts. I designed four speculative products or user experiences that rescript hegemonic or exploitive relationships between data and body, human and digital nonhuman, the environment and the digital environment.

Digital retooling is a propositional, practical, creative, and critical method that transforms existing technologies through artistic practice to break from hegemonic structures rooted in nonconsensual practices and data colonialism.

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